In keeping with the legal interpretation accepted at the time in Germany, there was a statue of limitations on every act of Nazis against Jews and against people with anti-Nazi views, with the exception of murder. Through these documents, it was possible to connect concrete murder cases with concrete people, enabling a legal investigation against the perpetrators.
For over fifty years, hiding away in the Mordechai Martin Buber’s archives was a series of photographs in an envelope, labeled: “unidentified.” Did the hand that wrote this, and chose to archive these photos, do so intentionally, out of a fear of the visual representation, the unequivocal and patently clear proof of the friendly meeting between Buber and Martin Heidegger? And why did this meeting become a fact that needed to be played down, if not enshrouded in a fog of uncertainty?
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