From the earliest of times, people have been using music to channel their emotions. Early Mayans used soothing songs to aid with the difficulties of labor and birth, the Vikings sang melodious chants when marching into war to scare their opponents and boost their own morale, ancient Innuits would make use of throat singing to pass down their culture throughout generations. And the People of Israel were no different.
As the biblical story goes, when the People of Israel escaped persecution and slavery in Egypt, they played tambourines and sang songs of joy, led by the biblical figure Miriam and the righteous women around her.
Song is immensely powerful – this is a belief that was acknowledged way back in the ancient world, and is still recognized today. And one of its uses is during times of war, both in battle, but also for the comfort, assurance and perseverance of those who are suffering and need a certain special ignition of hope. Songs composed during wartime are often unique in their outpouring of emotion and the rawness ascribed to them.
Naomi Shemer is one such example of a singer whose wartime songs captured the hearts of the Israeli nation possibly more than any other composer before her. If any song has the power to symbolize something as terrible as a war, then the song Lu Yehi, more than anything, has come to represent the Yom Kippur War.
Lu Yehi – Performed by Chava Alberstein
You can also find this song in the National Library of Israel collections
During the first devastating days of that war, Shemer composed a collection of lyrics that expressed her hope and prayers for the Israeli soldiers’ safe return home. At first, she used the melody of the Beatles’ song “Let It Be” (the Hebrew words Lu Yehi are a direct translation of the title) but, influenced by her husband Mordechai Horowitz, Shemer decided to later compose an entirely new tune. “I won’t let you waste this song on a foreign tune. This is a Jewish war, and you should give it a Jewish tune,” said Mordechai. Listening to his advice, Shemer worked on completing her new melody before performing her freshly composed song on Israeli television, where it captivated audiences, and reflected back to them their own feelings in a way that most people couldn’t hope to do alone. The song became something of a national prayer in Israel during that time (more about this here).
When the National Library of Israel was endowed with Naomi Shemer’s personal archives, they included both her handwritten lyrics to Lu Yehi as well as a special little pocket book. This pocket book contained the words of the fourth verse of her song “Jerusalem of Gold”.
Yerushalayim Shel Zahav – Performed by Shuli Natan
You can also find this song in the National Library of Israel collections
At the beginning of 1967, the Mayor of Jerusalem commissioned a song about Jerusalem from Naomi Shemer. This song, Yerushalayim Shel Zahav, was written for the Israel Song Festival at a time when Jerusalem’s Old City was occupied by Jordan – a difficult period in which Jews could not enter the Old City and worship at their holy sites. It describes the longings of the Jewish people for Jerusalem and their yearning for peace.
Less than a month after the song’s publication, however, the Six-Day War broke out and the IDF was able to take the Old City. Upon hearing this jubilant news, Naomi Shemer decided in that very moment to add a final verse to her song, celebrating the return of the Jews to their ancient holy sites. Naomi Shemer’s song thus became the unofficial anthem of the Jewish people, and still symbolizes the mood of many Israelis during the Six-Day War.
Shemer was not the only songwriter to have this effect on the nation, however. As the First Lebanon War raged around him in 1982, esteemed Israeli lyricist Ehud Manor was inspired to write a searing text that dealt with his own emotions following the death of his brother during the War of Attrition. As Manor sat in his living room with his wife watching the daily news play out reels from the battlefield, he broke down in tears and started jotting down words on a scrap of paper. These lyrics would eventually become the song Ein Li Eretz Acheret – “I Have No Other Country”.
When the song was released in 1986, it emerged as a profound musical testament that resonated with the collective sentiments of a nation grappling with the tragedies of war. Against the backdrop of the challenges and strife around them, the melody not only encapsulated the turbulent emotions of Israelis at the time, but his insightful lyrics echoed the collective atmosphere of the war. Ein Li Eretz Acheret became a significant cultural touchstone, being voted Israel’s favorite song time and time again. Later chosen as the Song of the State of Israel by the Yediot Ahronoth newspaper. The song has been given different political interpretations but it actually offers a musical narrative that goes beyond political boundaries and has thus been recycled multiple times throughout Israel’s recent history to articulate the intricate emotions woven into the fabric of a society which continuously finds itself facing conflicts.
“I have no other country. Although my land is burning, my veins, my soul with an aching body and with a hungry heart, here is my home. I will not be silent. For my country has changed her face. I will not give up on her, I shall remind her and sing into her ears, until she opens her eyes.”
Ein Li Eretz Acheret – Performed by Gali Atari
You can also find this song in the National Library of Israel collections
Even more recently, during Operation Cast Lead in 2008-2009, as hope for a brighter future seemed so far off for so many Israelis, a song that had been released a few months earlier suddenly hit home in a new way: Ayeka. After becoming a Breslov Hasid, Shalom “Shuly” Rand was expected to spend the rest of his life learning Torah and walking in the traditional Hasidic path set out for him. But, being an introspective and thoughtful man with a rebellious streak, this was not the route he chose. While staying true to his religious beliefs and practices, and fathering seven children, he also became an actor and began composing and singing music.
Ayeka – Performed by Shuly Rand
You can also find this song in the National Library of Israel collections
Arguably his most well-known song is a prayer that came straight from his heart. As a man who had lived through dark days as well as the good ones experienced by all Israelis, he writes of his faith being challenged. Confused and lonely, he turned to the heavens with a question, or even a plea – ayeka?! – “where are you?!” Rand communicates his feelings candidly in this song, with vulnerability and perhaps a touch of rage, as he turns to G-d and questions how the Master of the Universe could allow so much suffering and heartbreak in the world that He created.
When Operation Cast Lead shook the people of Israel just a few months after the song’s release, many Israelis recalled Rand’s lyrics and felt their own feelings echoed in his song, understanding that this man’s confusion and his struggles with faith were also their own during the distress that lay all around them. Rand expresses his longing to understand how to cope in difficult times, as well as the bigger frustration which comes with knowing that he may never have answers to these questions. It was a sentiment that so many ordinary people could align with during the conflict which arose that same year, and lots of Israelis considered it an apt reflection of the times they were living through.
“Oh G-d almighty, openly speaking, sometimes I have no desire to be in Your world. Where can I hide from You? What will I claim, how will I justify myself, what shall I say? Merciful and gracious G-d, before You is a Jew, hanging by a hair-thin thread, fighting the sadness, the despair that gnaws like a worm. The happiness had fled from me and so did my sanity. Voices from the past whisper to me to stop, but I keep on rowing in the dark, asking and wishing, where are You?!”
And now, as Israel has been at war since the unimaginably dreadful events of October 7, we see this same musical phenomenon playing out once again. If you look today at the top Israeli music charts, you may notice that the songs being listened to in Israel right now reflect the war that we are experiencing. Many of the most popular songs in the country at the moment were written to express the national mood of mourning, of helplessness at the situation we find ourselves in, but also of hope for a brighter future.
Songs do more than just entertain us. They provide us with guidance in times of hardship, they provide us with companionship in knowing that others feel how we feel, and they provide us with words for feelings that we can’t quite express alone. Listen to the lyrics of the songs mentioned in this article, and many of the most listened-to songs in Israel right now and see if you feel the same way. The chances are that you, like so many others, will find a friend in these words and melodies.