Yom HaZikaron: A Light in the Darkness

Memorial candles are woven into all aspects of Yom HaZikaron: lit during public ceremonies, by bereaved families at gravesides on Har Hertzl, and of course in homes up and down the country. But why do we use a candle to commemorate the fallen heroes of Israel? What inspires us to shed light in a day full of darkness?

These memorial candles are some of the hundreds lit at the site on which 22 Israeli citizens were murdered on the Number 5 bus on Dizengoff Street, 1994, Photographer: Gideon Markowiz, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

As evening closes in on the night of April 24, we walk soberly to the ceremony. We bow our heads and take our places. The Israeli flag is lowered to half mast, the Memorial Prayer is said, and the candle is lit.

Memorial ceremony at Mt. Herzl military cemetery, 1971, photographer: IPPA Staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

Maybe one candle is lit. Maybe 19 candles are lit to represent the 19 Israeli victims of terror since the start of 2023. Maybe 8 candles are lit to represent the 8 wars Israel has fought in. But you can be sure that at least one flame will cast light across the downturned faces of those at the podium.

A Yom HaZikaron ceremony at the Knesset, 1988. Photographer: IPPA Staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

We go home and light a candle. Maybe it’s for someone we knew and lost, maybe we have signed up to one of the many schemes to honor forgotten Israeli soldiers, or maybe we light a symbolic candle and keep it aflame for 24 hours to commemorate the collective tragedy of the Israeli people.

Memorial Yorzait candle cover, 1964. Photographer: Avi Biran. Center for Jewish Art Collection. CJA Sacred and Ritual Objects. Center for Jewish Art at the Hebrew University of Jerusalem, National Library of Israel

The next morning we walk to Har Herzl, and amidst the tears and the families desperately holding each other for strength, we see candles. Some are on top of graves, some sit in little boxes for protection against the wind. Some are held by friends and loved ones as they recite the Mourner’s Kaddish Prayer.

The symbolism of these candles, woven into all aspects of Yom HaZikaron, may seem clear – a light in the darkness. But this doesn’t fit with Israel or Judaism’s cultural use of candles in other areas of popular custom. Candles are lit to celebrate incoming sabbaths and festivals. Candles are held while walking a bride down the aisle to her groom. Candles are lit on Hannukah to celebrate ancient miracles.

So why do we also use a candle to commemorate the fallen heroes of Israel?

Thousands of Tel Aviv residents come to pay their respects to the 22 citizens murdered on the Number 5 bus on Dizengoff Street. These memorial candles are some of the hundreds lit at the site of the tragedy, 1994. Photographer: Gideon Markowiz, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

Despite the many differences that persist between different world cultures, one seeming constant is the mourner’s candle. In Catholicism, lighting a candle is a way to strengthen the bereaved. Lighting a candle to remember the dead is a Catholic custom that dates back centuries, allegedly to Jesus himself, who used candle light to guide his followers, hence the belief that lighting a candle guides the dead closer to Christ. For Buddhists, candles are used in meditation services after death. It is said to focus the meditations on the memories of loved ones and reflect inner thoughts and feelings towards them as the bereaved reminisce and mourn. Dating back even further, Pagans would place white candles on memorial altars to harness their natural energy and send it to the dead, and to aid with channeling the memory of past spirits and family members.

Star of David electric memorial (Yortzeit) lamp, the Josef and Margit Hoffman Judaica Postcard Collection, the Hebrew University of Jerusalem, the Folklore Research Center, via the National Library of Israel Digital Collection

Interestingly, in both China and the Philippines, mourners mark death with candles too, and similar to the practice in Israel, once a year a candle is lit to remember the loved ones that they have lost. But their candles actually mark a visual representation, with different colors indicating different relatives. For Filipinos, pink candles are lit for girls, blue candles for boys, and red candles for those whom one loved most. Meanwhile, in Chinese tradition, there are generally three colors used for memorial candles: white is used during the first year, yellow is used for the first anniversary of the death, and red is used every subsequent year after that on the anniversary of the death.

President Yitzhak Ben-Zvi and his wife, Rahel Yanait, with a memorial candle for their son Eli, who fell in the war of 1948. 1958, Photographer: Ilani REI-YBZ. This item is part of the Israel Archive Network project (IAN) and has been made accessible thanks to the collaborative efforts of the Yad Ben Zvi Archive, the Ministry of Jerusalem and Heritage and the National Library of Israel

In Judaism there is also a strong historic precedent to light candles for the deceased.

There is evidence of Jews lighting candles to honor the deceased as far back as the Mishnaic period, approximately 2,000 years ago: the Mishnah states that one cannot use the “fire of the dead” for the Havdalah blessing on Saturday night because candles symbolize the dead not the living. Additionally, we find that Rabbi Judah the Prince, who was the compiler of the Mishnah, requested that his family “leave a lamp lit in its place” after he passed away. In the 1870s, the Chaffetz Haim adjudicated that all Jews should light a candle on the anniversary of a death as lighting a candle “constitutes atonement for the departed soul.”

The Yahrzeit, 1898, Moritz Oppenheim, Germany, the Josef and Margit Hofmann Judaica Postcard Collection, the Mendel Institute of Jewish Studies, the Hebrew University of Jerusalem, the Folklore Research Center, via the National Library of Israel Digital Collection

During the Middle Ages, another aspect was added to this bereavement ceremony – the Mourner’s Prayer. Each year on Yom HaZikaron the Mourner’s Prayer is recited across the country. The President and Prime Minister recite it at state ceremonies, individual families recite it at gravesides, and usually a family member of a fallen soldier or terror victim will also publicly recite this prayer to a large and televised audience. In 2015 Racheli Frenkel made history by being the first woman to publicly recite this prayer in the state service, after her son was amongst the three boys kidnapped at the start of Operation Protective Edge. The country watched on as her emotional prayer pierced every heart up and down the country. Everyone, including the most religious of rabbis at the ceremony, responded “Amen.”

The origin of the Mourner’s Kaddish Prayer was compiled by rabbis as a means to memorialize the dead. Its recitation is neither a biblical nor a rabbinic commandment, but a long-held tradition which, like the candle, brings comfort and peace to mourners.

Use of the memorial candle, which is usually lit just before the Mourner’s Prayer, is often dated back to the Book of Proverbs. In Chapter 20, Verse 27 it is said that “the human soul is the candle of God” – lighting candles is a powerful and evocative ritual, as the candle is believed in the Bible to be a tangible symbol of the soul.

President Herzog lighting the Flame of Remembrance, 1992. Photographer: Yolene Haik, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel
Tel Aviv Chief Rabbi Yitzhak Yedidia Frenkel in front of the Yom HaZikaron memorial torches, 1970. Photographer: IPPA Staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

Lighting a candle on Yom HaZikaron in Israel is both political and personal. Political figures from Shimon Perez to President Herzog have been invited to light memorial candles as the world watched on. And for individuals who either light candles for their own loved ones, or volunteer to light a candle for those who have no family to mourn them, it is a deeply meaningful part of the Yom HaZikaron proceedings:

Nehemia Sharabi, a kibbutznik and zoologist, was shot while guarding his post during his service as an army reservist, leaving behind a wife and three children. His commander called him “an exemplary soldier, a friend to everyone, a modest person who knows his own way.”

Eliezer Kolberg, devoted only child to his Holocaust survivor parents, worked as a laborer to support his family. During the War of Independence, he was a member of the brigade who first attempted to break through into besieged Jerusalem, where he fell in battle.

Yigal Ezra, Tel Avivian from birth, served on the southern front during the Yom Kippur War. After he fell in battle, his family set up a scholarship fund in his name and wrote of him: “That smile … modest. You want to know what he thinks? Just look into his wise eyes. You want to know what Yigal thinks? Just turn to him and ask him. He will not erupt. Yigal will not scream. Great nobility was inherent in him. I loved to look at his black, laughing, intelligent eyes, his face – the face of a child.”

Memorial for the fallen soldiers who fought for the reunification of Jerusalem during the Six-Day War, 1987. Photographer: IPPA Staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

Maybe this year we can keep these courageous young men, and the so many others whose stories are not known, in our thoughts as we light the Yom HaZikaron memorial candles. When a soul departs from the world, it leaves behind a dark void, which the memorial candle serves to replenish. Rabbi Bechayei ben Asher explained, over 800 years ago, that a departed soul will also derive joy from the candle’s light because the Bible states that “the light of the righteous will rejoice.”

Bereaved mother Lea Epstein lights a memorial torch at Ammunition Hill, 1980. Her 26-year-old son Shlomo, a paratrooper, fell in the Six-Day War. On her left is Uri Navon of the Defense Ministry. Photographer: IPPA Staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

Those who are partial to the symbolism of Kabbalah hold by the idea that a candle is a physical representation of a human, the wick and flame representing the body and soul. When a candle is lit, both the wick and flame burn upwards, representing the fact that the body is subsumed by the soul and is at its essence energy whose goal is to return to the world around it.

“Memorial Day in Israel”, designers: Gabriel and Maxim Shamir, Shamir Brothers Studio, Shamir Brothers Collection, the National Library of Israel

A flame has three components: The inner blue flame, which surrounds the wick and burns the fuel, the bright body of the flame, which provides the light, and lastly, the glow that surrounds the flame. In Kabbalah it is believed that these three parts correspond to the three components of the soul that are most closely associated with the physical body: nefesh – the burning spirit, ruach – the energy which illuminates a person’s spirit, and neshamah – the aura of a soul. The revered Kabbalist, Rabbi Bahya, wrote that “it is known that the soul enjoys the lighting of the candles and it walks with grace and happiness, spreads and expands due to the enjoyment of the light.” The Kabbalists say that fire is the most refined matter in our material reality, thus approaching the spiritual, and by lighting a candle they believed themselves to be bringing delight and benefit to the souls of the departed.

Memorial candle, 1997, Tunisia. Photographer: Zev Radovan. Center for Jewish Art Collection, CJA Sacred and Ritual Objects. Center for Jewish Art at the Hebrew University of Jerusalem, via the National Library of Israel Digital Collection

The National Library of Israel collections include images of Jewish memorial candles from all over the world: Tunisia, England, Germany, but most of all Israel. From mourning the assassination of Yitzhak Rabin, to the victims of the most recent operation in Gaza, candles are lit for each Israeli who has died at the hands of terror and war.

The day following Rabin’s assassination, 1995. Photographer: Gideon Markowiz. the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel
Prime Minister Yitzhak Rabin, watched by Chief Rabbi Israel Lau, lighting the central memorial torch for Yom HaZikaron, 1993. Photographer: Zeev Ackerman. The Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

This year, Yom HaZikaron falls in the midst of turmoil. Just earlier this month a new bout of terrorism spiked after clashes on Temple Mount, and rockets from Lebanon and Gaza placed the lives of Israeli citizens in danger, as the country prepared to add yet more names to the ever-growing list of victims.

For each of these names a candle is added too. Candles are unique because they do the opposite of hate. Terrorism and war put out the lights, extinguish happiness and indiscriminately snuff out hope, serving as an ending. A light, however, can give and give without loosing any of its own power. One candle can light up a whole room, and can be used to light many more candles without any expense to its own brightness.

Collection of Yahrzeit Plaques, 1894-1910. Israel/Germany, owned by: William L.Gross, House of Gross, via the National Library of Israel Digital Collection

On April 7, Molotov cocktails were thrown into Israeli homes, terrifying and harming innocent families. On April 8, rockets were launched at Israel with burning bright orange paths trailing behind them. On April 9, fires were started in fields in Northern Israel, destroying crops and even killing a few poor chickens resting in their coop. Fire can be used to hate and kill. But less than a month later, one by one, candles will be lit in homes, schools, and cemeteries across Israel, bringing together families and friends to unite in their collective pain and channel their loss into a meaningful ritual.

Yom HaZikaron is about so much more than the struggles of Israel’s past, and the struggles it still contends with. It’s about hope for a brighter future, that peace can and will finally arrive. That there is always a light at the end of the darkness. And that is why we light a candle.

Desert Temples, Ancient Tombs & Tank Battles: Scenes From the Life of a Photographer

Zev Radovan has been taking photos since 1965, in Israel and around the world. He and his camera were given the kind of access that few people receive. As a result, Radovan was able to document some incredible locations and moments in history. His archive of photographs can now be found at the National Library of Israel…

The monument known as Absalom's Tomb, the Kidron Valley, outside the Old City walls in Jerusalem, late 1960s, the Zev Radovan Archive at the National Library of Israel

A temple in the desert.

Strange standing stones, arranged in a peculiar fashion, and covered in intricate, beautiful markings – human figures, animals and symbols decipherable only to a select few. The stones stand at the summit of a remote hilltop in the inhospitable wilderness of Sinai. The markings are ancient Egyptian hieroglyphs, identifying the site as a temple dedicated to Hathor, goddess of the sky, fertility, women and love.

The Temple of Hathor at Serabit al-Khadem, Sinai, Egypt, late 1960s, the Zev Radovan Archive at the National Library of Israel

This is Serabit al-Khadem, a location that has been studied by archaeologists for well over a century. This was where the ancient Egyptians mined turquoise, a semi-precious stone that was in great demand at the time.

Serabit al-Khadem, Sinai, Egypt, late 1960s, the Zev Radovan Archive at the National Library of Israel

Serabit al-Khadem was where a link was first established between ancient Egyptian hieroglyphs and early Proto-Sinaitic script. It was from this script that Hebrew, Arabic and Greek would eventually develop. Proto-Sinaitic characters were found scribbled on rocks not far from the temple. It is believed they were made by Canaanite prisoners who labored in the mines. These people lived, worked and worshipped here. In their writings they referred to the goddess as “the lady of the turquoise”.

Serabit al-Khadem, Sinai, Egypt, late 1960s, the Zev Radovan Archive at the National Library of Israel
Ancient writing scribbled on rocks at Serabit al-Khadem, Sinai, Egypt, late 1960s, the Zev Radovan Archive at the National Library of Israel

These photographs were taken in the late 1960s by Zev Radovan, a veteran Israeli photographer who throughout his career often focused on documenting archaeological and heritage sites around the world. Radovan has now deposited his vast archive in the National Library of Israel.

Radovan came to Sinai shortly after it was captured by Israel in the Six-Day War of 1967. He would frequently work in collaboration with university professors, accompanying their digs and research trips.  “They were all incredible professionals,” he says of the Hebrew University archaeologists who travelled with him to Serabit al-Khadem and Sinai, as well as the rest of Egypt later on. “They were reading those hieroglyphs like I read the newspaper.”

 

A New Frontier

The new territories that became accessible to Israeli photographers following the war were the focus of much interest in those years. “The war was over, it was – ‘Let’s go to Jericho! Yalla!’ – and you’d get in the car and drive to Jericho,” says Radovan. “On the way you’d still see burnt-out vehicles here and there on the side of the road. Then it was ‘Let’s go to Hebron’ – and we’d drive to Hebron. It was all very innocent and nothing bad happened.” He adds that Israelis were often greeted warmly by Arabs in these storied locations, places that held a near-mystical allure and that had for years been so near, and yet so far.

The Dothan Valley in Samaria, the Zev Radovan Archive at the National Library of Israel
Sebastia, Arab village in Samaria, the Zev Radovan Archive at the National Library of Israel
Remains of the ‘frigidarium’ (cold room) of the royal baths enclosed in King Herod’s palace, Jericho, late 1960s, the Zev Radovan Archive at the National Library of Israel
Herodium, Judea, 1973, the Zev Radovan Archive at the National Library of Israel
Bedouin children, the Northern Negev Desert, the Zev Radovan Archive at the National Library of Israel

These areas could also now be reached by Israeli archaeologists, scholars and experts. Radovan worked particularly closely with geographer Zev Vilnay, archaeologist Yigal Yadin, and art historian Bezalel Narkiss. These professors opened doors for him, took him on research trips and excavations, and taught him much about their respective fields.

Archaeological excavations at Hatzor, Prof. Yigael Yadin, 1969. Yadin was a former IDF Chief of Staff and a future Deputy Prime Minister at the time. The Zev Radovan Archive at the National Library of Israel

 

Digging in the Gaza Strip

Radovan recalls that one of his most interesting shoots took place in Deir al-Balah, located in the central Gaza Strip, another area conquered by Israel in 1967.

Moshe Dayan, who as Defense Minister had been one of the masterminds behind Israel’s victory in the Six-Day War, also had a deep passion for archaeology. According to Radovan, Dayan became acquainted with a Bedouin who owned a plot of land near Deir al-Balah on which he had found the remains of an ancient cemetery.

Hidden beneath the large sand dunes which covered the area were a series of anthropoid sarcophagi – ancient clay coffins carved to resemble human features.

An anthropoid sarcophagus uncovered at Deir al-Balah in the Gaza Strip. These coffins date to the  late Canaanite period (13th-14th centuries BC). The Zev Radovan Archive at the National Library of Israel

Zev Radovan accompanied the archaeological team that was sent to excavate the site, under the guidance of Professor Trude Dotan, but they would have been helpless if not for the Bedouin land owner, the only person who knew where the coffins were.

Hebrew University students working at Deir al-Balah in the Gaza Strip, the Zev Radovan Archive at the National Library of Israel

“He would say: ‘Dig here’, and there would indeed by a coffin there. How he knew I have no idea,” Radovan recalls. “You remove layer after layer of sand. Suddenly you reach the ground, you see some markings, you’re digging, and all of sudden a face appears. It was amazing”.

Excavations at Deir al-Balah in the Gaza Strip, the Zev Radovan Archive at the National Library of Israel

But the team of archaeologists only excavated four or five of these sarcophagi. Interestingly, around fifteen additional coffins had already been found and removed beforehand by Dayan, the amateur archaeologist/Defense Minister, and his Bedouin acquaintance.

Radovan explains that when a sarcophagus was uncovered and opened, “There would be a skeleton or sometimes two skeletons inside, as well as all sorts of personal belongings of the deceased, including jewelry.”

Anthropoid coffins from Deir al-Balah at the Israel museum, the Zev Radovan Archive at the National Library of Israel

For years these anthropoid sarcophagi were kept in Dayan’s backyard, which was something of a museum in its own right. The politician told Radovan: “When I’m here among the anthropoids, I feel like I’m in the Knesset. I see them and I see the faces of the Knesset members.” Dayan left the sarcophagi to the Israel Museum after his passing. They can be seen there today.

 

The Many Faces of The Holy City

Though born in Croatia in 1938, Zev Radovan has been living in Jerusalem since 1950, when he arrived in Israel as a child. Naturally the city is featured prominently in his photographs.

A market in the Bukharan Quarter, Jerusalem, 1973, the Zev Radovan Archive at the National Library of Israel
Yemin Moshe, Jerusalem 1970, the Zev Radovan Archive at the National Library of Israel
Jerusalem’s Mamilla neighborhood, a former “No Man’s Land”, 1967, immediately after the Six-Day War, the Zev Radovan Archive at the National Library of Israel
The Bukharan Quarter, Jerusalem, the Zev Radovan Archive at the National Library of Israel
Jerusalem’s Nahlaot neighborhood, 1968, the Zev Radovan Archive at the National Library of Israel
Jerusalem’s Mea Shearim neighborhood, ca. 1975, the Zev Radovan Archive at the National Library of Israel
Buses bringing people to the Mimouna celebrations in Sacher Park (“Gan Sakker”), Jerusalem, 1974, the Zev Radovan Archive at the National Library of Israel

Jerusalem was itself a photographic frontier following 1967, with the city’s eastern neighborhoods now open to Israelis and easily accessible to tourists.

The Notre Dame de Jerusalem building was severely damaged during the battles of the War of Independence in 1948, though this photo is from 1967, the Zev Radovan Archive at the National Library of Israel
The border between  east and west Jerusalem ran through the Mamilla neighborhood before the Six-Day War, ca. 1965, the Zev Radovan Archive at the National Library of Israel
One of the Muslim tombstones in the cemetery outside the Old City’s Golden Gate, Jerusalem, the Zev Radovan Archive at the National Library of Israel
The monument known as Absalom’s Tomb, the Kidron Valley, outside the Old City walls in Jerusalem, late 1960s, the Zev Radovan Archive at the National Library of Israel

The Old City’s Jewish quarter, which had been under Jordanian control since 1948, still lay in ruins. “For the older people, it was wonderful to return to all these places,” Radovan explains, “[For the newer arrivals like myself] it was fascinating, to see the gates of the Old City… Today it seems completely banal, back then it was extremely interesting and completely new”.

The ruins of the Jewish Quarter of the Old City after the Six-Day War in 1967, the Zev Radovan Archive at the National Library of Israel

Radovan’s camera also captured the beginning of archaeological excavations at the Western Wall and in the Jewish Quarter. “These were the days of the flower children, with lots of volunteers… Everywhere there was a spirit of volunteering and happiness.”

The beginning of archeological excavations at the Western Wall  in 1973, the Zev Radovan Archive at the National Library of Israel

 

The Other Side

But there were other sides to the post-1967 reality, and Radovan documented those aspects as well. “I travelled to all sorts of refugee camps, ‘like an idiot’ you could say, I took their picture, they smiled at me, and I smiled back. These were places that you couldn’t dream of entering today.”

A Gaza refugee camp, 1968, the Zev Radovan Archive at the National Library of Israel

Radovan’s archive includes photographs showing Palestinians refugees crossing the Allenby Bridge into Jordan, shortly after the war’s conclusion. “It was all done calmly, though for them it was a terrible disaster,” he says.

Palestinian refugees crossing into Jordan via the ruined Allenby Bridge shortly after the Six-Day War, 1967, the Zev Radovan Archive at the National Library of Israel,

A Photographer at War

In 1973, during the Yom Kippur War, Radovan found himself in the Golan Heights, as the IDF struggled desperately to halt the advance of hundreds of Syrian tanks. He had been called up as a reservist and sent to the front lines by the army newspaper, BaMahaneh, to photograph the battles as they unfolded.

Israeli soldiers on the Golan Heights during the Yom Kippur War, 1973, the Zev Radovan Archive at the National Library of Israel

“I was attached to an armored corps unit…If I saw they weren’t advancing enough and another unit was, I could join the others. I wasn’t under anyone’s command… That gives you options, including the ability to escape. I was a bit naïve. The battles I was in…it’s foolish [to put yourself in such a situation] for the sake of a picture… I was in some difficult situations. But there were those who were much worse off. People right by me were hit.”

 

Disappearing Communities

In the 1980s, Radovan began a partnership with Professor Bezalel Narkiss, founder of the Center for Jewish Art. During his work with the Center over the next few decades, he made 35 separate trips to locations across the globe, with Narkiss and other researchers. They travelled to dozens of Jewish communities in remote corners of the world – “From Morocco, to India, Tunisia to Poland… documenting Jewish heritage, synagogues, Judaica, Torah scrolls, whatever was left in these places”

Zavulunov House in Samarkand, Uzbekistan, 1992, photo by Zev Radovan, the Center for Jewish Art Collection
A Torah case made in Tunisia, photographed in 1997 by Zev Radovan, the Center for Jewish Art Collection
A synagogue in Fălticeni, Romania, built in 1868 and photographed in 2010 by Zev Radovan, the Center for Jewish Art Collection

These trips targeted locations where there was real concern for the preservation of Jewish relics. The goal was to ensure that this heritage would at the very least be documented for future generations.

Zev Radovan’s vast archive has now been deposited at the National Library of Israel. It is currently in the midst of a process of digitization, and will soon be fully accessible on the Library website.

 

The deposit of the Zev Radovan Archive at the National Library of Israel was made possible thanks to the generosity of Steve Delamater of Chambersburg, Pennsylvania.

The Man Whose Moves Made Mediocre Melodies Into Modern Marvels

Baruch Agadati was almost certainly the most controversial Jewish dancer of his time, building up large followings both of people who loved him, and loved to hate him. He simultaneously fought against antisemitism, angered most of the Jewish community, challenged gender roles, and built long-lasting cultural traditions. Oh, and he was also the person who created Israeli Folk Dance.

ברוך אגדתי אמן הרקוד העברי, Tel Aviv 1925, Asher Barash, Yitzhak Katz, & Menashe Rabinowitz, via the National Library of Israel Collections

Many claim to be the ‘father of Israeli dance’ and the truth is that Israeli folk dancing has had so many important contributors that it would be impossible to crown any of them with this title, but if we were to try, Baruch Agadati would certainly make the shortlist.

ברוך אגדתי אמן הרקוד העברי, Tel Aviv 1925, Asher Barash, Yitzhak Katz, & Menashe Rabinowitz, via the National Library of Israel Collections
ברוך אגדתי אמן הרקוד העברי, Tel Aviv 1925, Asher Barash, Yitzhak Katz, & Menashe Rabinowitz, via the National Library of Israel Collections
ברוך אגדתי אמן הרקוד העברי, Tel Aviv 1925, Asher Barash, Yitzhak Katz, & Menashe Rabinowitz, via The National Library of Israel Collections

Baruch Agadati’s Israeli dances weren’t just a light-hearted hop, skip, and jump, like they may seem to the uninformed eye – in fact, Agadati revolutionized the art of movement in Israel, from pivoting away from the former heteronormativity of Jewish dance, to taking antisemitic rhetoric and turning it into a powerful tool of Zionist storytelling. Baruch Agadati may have choreographed some sweet holding-hands-in-a-circle dances, but deep down they actually represented an entire ideological schema, reflecting the nonconformitive philosophy of this enigmatic man.

ברוך אגדתי אמן הרקוד העברי, Tel Aviv 1925, Asher Barash, Yitzhak Katz, & Menashe Rabinowitz, via the National Library of Israel Collections
ברוך אגדתי אמן הרקוד העברי, Tel Aviv 1925, Asher Barash, Yitzhak Katz, & Menashe Rabinowitz, via the National Library of Israel Collections
ברוך אגדתי אמן הרקוד העברי, Tel Aviv 1925, Asher Barash, Yitzhak Katz, & Menashe Rabinowitz, via the National Library of Israel Collections

Baruch Agadati was born ‘Baruch Kaushansky’ in Bessarabia, where he lived with his parents and his brother Yitzchak. Considering the fact that it was Eastern Europe in the 1800s, the standard of life for Jews in Bessarabia was actually acceptable, but like with most places in the region, by the end of the century things weren’t looking so great for you if your names were Baruch and Yitzchak, so the two brothers started to make some swift plans to leave Ukraine.

In 1910, Agadati left home to study at the Bezalel Art School in Jerusalem, and he thoroughly enjoyed the dance and film scene in pre-state Israel (Ottoman Palestine at the time). The local culture suited him well, but with the outbreak of World War I, Baruch returned to Eastern Europe to fight in the Russian Army and do what he could to help with the war effort. However, after the war ended, Agadati maneuvered back into the world of dance, trading rifles for rond-de-jambes, and he enjoyed a successful career dancing with the Odessa Ballet. Classically trained and very talented on his toes, Agadati’s booming artistic career gave him enough confidence to start a new life back in the Land of Israel.  So, during the period of the Third Aliyah, Baruch and his brother set sail on the SS Ruslan from Odessa and arrived safely, if a little sea sick, at the port of Jaffa.

Following his nose to the source of the emerging art scene in pre-state Israel, Agadati moved to Tel Aviv’s Neve Tzedek neighborhood and earned his living by performing solo dance recitals, which he called his “concerts,” and choreographing routines for local dance troops. His name was already becoming well known at this point, and in 1922 Baruch Agadati embarked on a world tour with his dances.

The Palestine Bulletin, 10 August 1927, via the Historical Jewish Press Collection at the National Library of Israel
The Palestine Bulletin, 5 August 1927, via the Historical Jewish Press Collection at the National Library of Israel
The Palestine Bulletin, 14 August 1928, via the Historical Jewish Press Collection at the National Library of Israel

One might think that a career in dance is fairly innocuous, but this was decidedly not the case for Baruch Agadati. In the 1920s, the predominant style of dance in Mandatory Palestine consisted of Jewish folk dances, in which spritely youths would hold hands and blithely move around in circle formation, smiles on their faces and light on their feet. Agadati was bored of this. He took the traditional Jewish folk dance and decided to flip it on its head (not literally, although with Agadati one never knows!) He would go on to rewrite this choreography in his signature expressionist style, and add intricacies to the folk dances which no one had ever seen before.

It was in this way that the “Hora Agadati” was born. The Hora Agadati is one of the earliest “Israeli Dances.” Choreographed by Baruch Agadati in 1929, in his series of revitalized traditional Jewish folk dances, this is the choreography that most people still remember Agadati by today. A nonobservant but deeply traditional and culturally-connected Jew, Agadati took the outmoded Jewish dances and reframed them using a new, secular yet acutely Israeli, perspective. This refreshing style of circle dance, with its Debka-Jumps and Twisting Hips, helped shape what most people now call Israeli Folk Dancing. The Hora Agadati is still a popular dance today, and one need only visit the promenade in Tel Aviv on a Saturday night to see people of all ages and denominations dancing to Baruch Agadati’s signature Israeli folk style.

Hora Agadati – Baruch Agadati, People’s Dances, Tel Aviv, 1968, via the National Library of Israel collections

If our story ended here, we could be led to believe that Baruch Agadati was an inoffensive, perhaps even somewhat dull cultural figure in the artistic scene of pre-state Israel. But that wouldn’t be any fun, so luckily our story takes a turn for the weird.

Baruch Agadati, dancing. 1920-1935, this item is part of Archive Network Israel, made accessible by collaboration between the Yad Ben Zvi Archive, the Ministry of Jerusalem and Heritage and the National Library of Israel.

From early on in his dance career, Baruch Agadati was making waves. During his first stint in Jerusalem in 1913, he performed a recital of the well-known Mephisto Waltz. But, breaking with tradition in a fairly explicit way, Agadati “donned a black coat as his only attire and, during the performance, right in front of the audience, in a beautiful turn of the waltz, in the moment when one side of his coat had been very indecently raised, he appeared naked, completely naked as on the bright day on which his holy and good mother brought him forth into the world” (Isaac Katz, 1927). This naked dancing fiasco was actually the scandal that led Baruch to change his original last name and adopt the name Adagati instead, after the embarrassment that his series of nude performances caused his poor mother.

Agadati continued to overturn the standard motifs in dance with the way he dressed, the way he played with gender norms on stage, and his use of unconventional and pointedly imperfect moves. He embraced new concepts of movement by using his body in jerky and sometimes awkward ways which undermined the ideas of grace and elegance to which most people were accustomed to seeing in dance. In the words of Clair Croft (2017) he “refused monolithic signification and instead forged a politics from the productive frictions among identities.”

Authentic Israeli folk dances – presented by Brandeis Camp Institute – 16 authentic Israeli folk dances, Los Angeles: Capitol, 1960s, via the National Library of Israel collections

If those concepts sound a bit dense and impenetrable, don’t worry, we will explore some examples to elucidate the point. We’ve already mentioned the Hora Agadati, so let’s start there. A little-known fact is that this dance was originally set to a traditional Moldavian antisemitic propaganda tune, picked on purpose for its hatefulness by Baruch himself. Baruch wanted to reclaim this work inspired by antisemitic sentiment, in an act of rebellion exemplifying that even the vilest racist hatred would not be permitted to destroy or humiliate Jewish culture. As time went on, this subtle meaning was lost to the masses, and it was decided that the tune should be exchanged for a new melody composed by Alexander Uriya Boskovitz, after many Jews took offence at the notion of dancing to the tune of an antisemitic song.

But this rebellion against antisemitic tropes was a theme that kept reappearing in Agadati’s work. He set out to reclaim racist stereotypes associated with Jews by taking what was considered to be a typical Jewish style of movement, but instead of allowing himself to be mocked for the very moves and gestures that inspired such antisemitism, he turned them into a delicate artform instead  (Marlene Gallner, 2017.) “He took the lowly, often crude, exaggerated gestures of the antisemitic cartoon and ‘ennobled’ it, lifting it, so to speak, from the rubbish-heap onto the stage” (Giora Manor, 1986.) In reframing these antisemitic caricatures, Agadati constructed a style of Hebrew dance which proudly reclaimed the idea of the masculine Jew that antisemitic narratives had tried to destroy (Alexander H. Schwan, 2022.)

Baruch Agadati as Hassid, from the Dance “Melaveh Malka” – Atelier Willinger, Vienna, Bat Sheva and Yitzhak Katz Archive, Information Center for Israeli Art, Israel Museum Jerusalem

This may all sound quite positive from a Jewish perspective, but Agadati’s takes on Judaism varied, and some of his dances were not so positively received. In his dance “Melave Malkva,” Agadati personifies four different hassidim on stage. In Jewish ritual, Melave Malka is the period on Saturday night after the end of Shabbat during which Jews often eat, drink and sing away the Sabbath, as they prepare to leave behind the holiness of Shabbat and enter the mundane week ahead. Agadati used this concept as a basis to dress up as four different pious men with varied takes towards the end of Shabbat: Reb Meir, Reb Netta, Reb Joel, and Reb Shachna. Reb Meir is the wise man, for whom the end of Shabbat is a sad and deeply religious time, which he related to via the divine; Reb Netta is a poor and humble Jew who is far more down-to-earth. Reb Joel embodies the ghost of the late grandfather of Reb Meir, who is just visiting from heaven, as you do, and Reb Shachna,  exemplifies a normal hassid who would be a familiar face if seen walking down the street. The twist, though, is that Baruch Agadati performed each of these four hassidic personas in drag – something which would surprise many religious Jews today, let alone 100 years ago!

The Oxford Handbook of Jewishness and Dance – edited by Naomi M. Jackson, Rebecca Pappas, and Toni Shapiro-Phim, Oxford University Press, via the National Library of Israel collections

In fact, Agadati’s performances often saw him taking on the personas of various characters who had impacted him during his conservative upbringing in the Eastern European shtetl, but he often embodied these roles in controversial ways. For example, in his early 1920s performance, “Galut Cycle,” Agadati portrayed a young Torah scholar, studying in a Yeshiva, completing the daily custom of laying tefillin, a practice in which religious Jewish men wrap black leather cords around their arm and forehead. Except, in Agadati’s interpretation, the Yeshiva student is wearing nothing but the tefillin! He posed nearly nude with the holy tefillin straps, leaving most of the room speechless.

It is sometimes surprising what Agadati deemed appropriate. He usually self-published the advertisements for his “concerts” and would invite adults and children alike to his shows, despite his frequent nudity and overt sexual euphemisms. In perhaps the most shocking of his performances, Baruch Agadati donned an elaborate costume and performed his show dressed as an Arab living in Jaffa. His stereotypical cultural appropriation would have made the news as it was, but that offense was far overshadowed when he opened his trousers and urinated live on stage against the wall, as part of his dance routine (Raz Yosef, 2004) (Achim Rohde, Christina von Braun, Stefanie Schüler-Springorum, 2017).

The Carnival, 1930 – Baruch Agadati, Ephemera Collection, the National Library of Israel

After this scandalous escapade, and the press reviews that went along with it, Agadati took a break from dance and moved into other areas of art instead. He worked with his brother Yitzchak on films, paintings, and controversial cultural events such as his divisive Jewish beauty pageants. Agadati never stopped being a pioneer in the world of dance, but his sights were now set on other pursuits – making movies rather than moves.

Baruch Agadati, 1961 Tel Aviv-Jaffa City Archive, via the National Library of Israel Digital Collection

Baruch Agadati undoubtably helped shape Israeli dance, breaking through mainstream ideals of religion, nationalism, and identity, and in a way both opening and closing the question of how Jewishness could be expressed via the medium of dance. Artist and historian Liora Bing-Heidecker describes Agadati as a pioneering gay man, and Agadati is certainly thought of today as a gay icon and activist. But what is surprising to learn is that although he certainly unlocked the stage for LGBT+ activism through his art, Agadati lived and died not actually mentioning his own personal persuasion in this area, despite public opinion.

As it goes, we can speculate all we want (and people often do) about the meaning of his art, the hidden messages behind his religious, explicit, and controversial pieces, the real story of his spiritual ties, sense of identity, and culture. The only thing we can know for certain is that Israeli Dance is the way it is today because of Baruch Agadati. Love him or hate him, we all dance to his tune.

 

This article has been published as part of Gesher L’Europa, the National Library of Israel’s initiative to connect with people, institutions and communities across Europe and beyond, through storytelling, knowledge sharing and community engagement.

A special thank you is extended to Alexander H. Schwan, whose article “Queering Jewish Dance: Baruch Agadati” aided in the research of this blog post. 

A Cry for Change: Protesting in the Promised Land

The protests taking Israel by storm this month are part of a long, heartfelt history of Israelis taking to the streets to make their voices heard. Whether their demands are peaceful or passionate, one thing has always remained constant: The power of ordinary Israeli people to affect big change when they put their mind to it

A protest in Haifa over the cost of living, photo by Yossi Zamir, published in "J. The Jewish News of Northern California", 23 September 2011

Baby Strollers, tents, and cottage cheese – the protests that changed the face of Israel started from the smallest, most innocuous of sparks, which burst into flames that couldn’t be ignored.

Israelis demonstrating in front of the Italian Embassy in Tel Aviv in protest over ties with the PLO, 1982, photo by IPPA staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel
Photo by Yossi Zamir, published in J. The Jewish News of Northern California, 23 September 2011

Anyone who lives in Israel right now will be aware of significant changes happening in the country. Even if you aren’t politically-minded, when every bus ride through town is diverted, when quiet days are interrupted by remote chants over distant megaphones, and when poster board is sold out in every stationary shop, you sit up and pay attention!

“Right vs. Left”, 1993, photo by Zeev Ackerman, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

But in case you didn’t know, for the last two months or so, nearly half a million Israelis have taken to the streets in protest of judicial reforms being proposed by the current government. This is one of the biggest demonstrations ever held in Israel against government legislation. In short, this new legislation would allow the Knesset, Israel’s parliament, to overrule supreme court decisions far more easily, allow the ruling coalition much more influence over the process of appointing judges, and administer a few other contentious points.

Photo by Yossi Zamir, published in J. The Jewish News of Northern California, 19 August 2011, the National Library of Israel

Believing this to be undesirable, or simply undemocratic, thousands of Israelis have donned blue and white garb, while waving Israeli flags and taking to the streets in what often looks like a cross between Israeli Independence Day celebrations, a street party, and an uprising. In reality, it is none of those things. It is, however, the latest in a long succession of protests which have been gracing the streets of Israel since long before there was even a state to protest against.

Photo by Miri Ekshtein Prager, published in J. The Jewish News of Northern California, 4 September 2020, the National Library of Israel

They say that two Jews have three opinions, but this is a sore underestimation. The scope of this article could never be wide enough to cover all of Israel’s various protests, but we will explore some of the most impactful ones from the last ten(ish) years.

Over the last decade, the price of housing has risen all over the world, and Israel is not immune to this trend. ‘A nation of renters’ is the phrase sometimes used when referring to the new generation of youngsters in Israel. So, just over ten years ago, across Jerusalem, Haifa, Be’er Sheva, Tel Aviv and other vital locations, tents started springing up in small communes. What better way to show the consequences of rising house prices than displaying to the government a snippet of a potential future homeless-population. At its height, around 400,000 protestors gathered in Tel Aviv, with small stores and water stations popping up in the midst of the sea of tents to service the masses of people temporarily living on the streets. In 2022, ten years later, the next generation of Israelis were facing the exact same housing problem – and decided to implement the exact same solutions.

Protesters call for affordable housingThe Jerusalem Post lite, 4 March 2015. Photo: Reuters

Housing prices were up by 15% at the beginning of 2022, after a year of prices rising monthly by 1.5%. Again, the makeshift town of tents arose, this time incorporating singalongs, public debates and even a daily Daf Yomi Jewish learning group! So, did it work? Well, it’s impossible to say for sure but in October 2022, the Knesset unveiled a program to build 280,000 new homes and approve 500,000 more, meaning that the government had essentially pledged to spend over 18 billion shekels on affordable housing.

Photo by Oded Balilty, published in J. The Jewish News of Northern California, 12 August 2011

Soon after the success of the tent protest, tens of thousands of parents with children between the ages of 1 and 4 years old, decided that it was time for them to take charge as well. Israeli parents, notorious for impeccable organizational skills, mobilized quickly and took to the streets with their strollers to protest the cost of raising young children in Israel.

Generally, parents of young children have more fixed routines and less time to take part in politics, so when these mothers and fathers – dressed in neon colors with yellow balloons tied to their baby buggies – gave up a day of sensible parenting to stand outdoors and protest, people took notice.

School children with their parents demonstrating in front of the Knesset in protest against the Education Ministry, 1970. Photo by IPPA staff, he Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel
School children with their parents demonstrating in front of the Knesset Building in protest against the Education Ministry, 1970. Photo by IPPA staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, The National Library of Israel

The main issue revolved around what many Israelis scornfully call their “second mortgage.” Daycare for infants costs around 3000 shekels per month, if not more, and with a mode Israeli monthly income of 7700 shekels, it is easy to see why young children prove to be such an expense in Israel. As a result, many women don’t return to work after giving birth, which results in an unnatural gender pay gap.

Initially, the organizers of the stroller protest requested a permit for just 500 protestors, but the week before the march more than 6,000 parents had pledged to show up. In the end, tens of thousands participated. Consequentially, the government agreed to implement free education starting a year earlier, at age 3 instead of age 4, saving families an average of 30,000 shekels per child. Eventually the stroller protest sparked a new demonstration, called the Sardines protest in which parents aimed to reduce how many children could legally be taught in a single classroom. Again, it was successful and the state reduced the maximum number of children in classrooms from 40 to 34.

University students protesting against the cost of higher education, 1987. Photo by Yossi Aloni, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

Having covered accommodation and child care, the next obvious culprit was food. In the UK, young people (genuinely) judge the rising cost of living based on a chocolate bar called a Fredo. In the year 2000, Fredos cost 12 pence. Over time, the cost of a Fredo rose by a few pence annually, and now it is rare to find a Fredo bar being sold for less than 80 pence. The metric for economic downturn in the UK is routinely measured by the cost of a chocolate bar. Israeli chocolate, however, is known for being subpar, so in leu of a sweet treat with which to judge the economy, the metric used in Israel is cottage cheese.

“Thousands of people demonstrate” -photo by Chen Leopold, published in J. The Jewish News of Northern California, 9 September 2011

With the growth of social media, 90,000 Israelis took to Facebook to rage against the price of cottage cheese in Israel, but the online campaign was not enough and eventually 300,000 people stormed Tel Aviv in anger over the price of the cheese. Hand-in-hand with the protests, a boycott was issued, urging people to only buy cottage cheese if the tub was sold for less than 5 shekels, as opposed to the 8 shekels it had risen to by the end of 2011.

Israelis demonstrating in front of the Italian Embassy in Tel Aviv in protest over ties with the PLO, 1982, photo by IPPA Staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

In response, the government reduced taxes on the import of dairy products and increased import rates of food products, to promote wider market competition. An investigation into Israeli food prices was also launched. The price of dairy was set to be regulated by the Knesset and on December 30, 2013, the government imposed price controls on Israel’s largest dairy manufacturer, Tnuva, forcing the price of cottage cheese down by 20%, after the Prime Minister created a committee of experts to propose adequate socio-economic reform.

Photo by Oded Balilty, published in J. The Jewish News of Northern California, 26 August 2011, the National Library of Israel Newspaper Collection
Israelis demonstrating in front of the Italian Embassy in Tel Aviv in protest over ties with the PLO, 1982, IPPA staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

Despite the fairly-priced cheese and additional year of daycare, peace in Israel didn’t last. The following year, the Knesset proposed a plan to gradually incorporate the country’s Haredi population into the armed forces, which was met with heavy protests from the Ultra-Orthodox community. Haredim had, until this point, been exempt from military service due to religious reasons. They argued they were contributing to the safety of Israelis on a spiritual realm by studying Jewish scriptures in yeshivas, instead of physically fighting.

Israelis demonstrating in front of the Italian Embassy in Tel Aviv in protest over ties with the PLO, 1982, photo by IPPA staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

After the founding of the State of Israel, David Ben-Gurion reached an agreement with Ultra-Orthodox leaders that exempted Haredim from military service. In 1977, Menachem Begin entrenched this arrangement in law, permitting all yeshiva students to avoid the military draft. However, in February 2012, Israel’s Supreme Court decided that this law was discriminatory, and demanded that everyone should be drafted equally to the IDF. Thus it was, that on May 16, 2013, around 25,000 Haredim demonstrated outside the IDF recruitment office in Jerusalem.

Protesting for women’s rights in Mea Shearim, 1990. Photo by Eli Harati, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel
Haredi Jews protest in New York, published in Kosher English, 14 June 2013. JTA, KE Staff

As it currently stands, all Haredim are technically required to join the army, but can easily succeed in getting an ishur – an opt-out – from their yeshiva or rabbi. Therefore, the vast majority of Haredim do not enlist in the army today. This remains a contentious aspect of Israeli culture, and many smaller protests take place both for and against this status quo on a regular basis.

Photo by Marc Israel Salem, published in The Jerusalem Post lite, 5 March 2014

On some matters, however, Israelis stand united. In 2015 the Israeli government proposed a deal to give an international consortium led by companies Delek and Noble the rights to the newly-found Leviathan gas field off the coast of Israel, which contained around 18.9 trillion cubic feet of gas, in exchange for reducing their involvement in other, smaller gas fields across the country. This plan would have furthered the goals of the Israeli government, who sought independence in those smaller fields, but it also represented the selling of Israeli goods to international firms, who would then manufacture the gas before selling it straight back to Israel at a higher price, paid for, of course, by the consumer. Professor Yaron Zalika, one of the main speakers at the resulting protests, said that “the government is plundering the largest national natural resource ever found here, after handing it — without tender — to a group of wealthy people, for almost nothing in return!”

Photo by Flash 90, published in The Jerusalem Post – Christian Edition, 1 June 2013

Despite being the largest protest to take place since 2011, the deal went ahead, with minor amendments, and the Leviathan gas field was sold to Delek, Noble Energy, and Ratio Oil Exploration who still own the gas field today.

So, was hope lost for good? Well, no, but for those who supported the gas protests, it was certainly a blow to their spirits to see their demonstrations being so adeptly ignored. But despite the many people who felt knocked down by the escapade, no one can be silenced forever. In 2020, thousands of Israelis made a comeback – one of the biggest so far!

A “Peace Now” protest outside the Defense Ministry calling for peace and withdrawal of settlements. Photo by Shaul Rachamim. the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel
Russian immigrants protest, photo by Danny Lev, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

As COVID-19 took over not just Israel, but the whole world, tensions started to build. There were those who demanded more vaccines, those who insisted that vaccines were harmful; people who advocated for masks, and people who wanted to do away with masks all together; some people wanted more public closures and some wanted the country to remain open. As such, it would have been impossible for a government to please all of their constituents. Even if someone happened to totally agree with government policy, there would have been other members of society who were violating what they considered to be sacred moral codes during the pandemic. Tensions rose, and people were angry. On top of that, Israel was in the midst of what felt like a million governmental elections, and the country seemingly couldn’t agree on who would run parliament, as election after election was called. Add to this an unemployment rate which rose alarmingly in a matter of months, and you had near-chaos in the streets.

Photo by Dimai Vazinovich, published in J. The Jewish News of Northern California, 12 August 2011

Protests sprung up quickly, and each Saturday night the numbers grew. Walking through the protests, the demonstrations were divided into small groups, each with their own flags and colored clothing, many shouting personalized slogans or playing their own music. Entering the protests from King George Street in Jerusalem, the first group one would encounter was the Breslov community, angry that their annual trip to Uman was being thwarted by travel closures. Next, one would meet supporters of the Meretz political party, with their vehement anti-right-wing chants. If you continued westward, you would get to a small but loud group of anti-mask protestors, followed by the large anti-Bibi Netanyahu group, decked out with blow up figurines and fancy-dress costumes. Further forward were the women’s rights’ activists, bearing pink flags of Israel, followed by a large floor-based meditation circle of peace activists. You would then pass by the unemployed group who demanded financial compensation from the government, and so on until you emerged, exhausted, from the other end.

As bars and restaurants were closed, large swaths of bored youngsters joined the protests, sometimes latching onto a cause, other times showing up with alcohol and music. There was even a 10 person jump-rope, live band, and fire dancers at times. Between the genuine anger and frustration, there was also a street party taking place.

University students protesting, photo by Yossi Aloni, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

That’s the beauty of protesting in Israel. People show up, in a big way, and express their democratic right whenever they have the desire to do so. In the most recent protests this month, parents bring their children along, completely unafraid. Elderly people have joined the ranks, knowing that they will be safe. Whole families have taken part, and been allowed to release their hard feelings. Prayer quorums have been formed at the protest site so that no one need miss their daily minyan due to demonstrating, and during the protests, merchants sell food and water to those who didn’t bring their own peanut butter sandwiches. The Israeli public gets to voice their opinion, knowing that they are not only completely safe to do so, but actually protected by the general good will of society, and those who enforce it.

Protest against the lifting of an arms embargo on Syria. Photo by Gideon Markowiz, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel

No matter your opinion, you can find a demonstration in Israel which would fit your beliefs, and allow you to release any pent-up tensions. And perhaps that’s why, in a society comprised of so many religions, ideologies, and walks of life, Israel is able to keep going.

Protesting antisemitism. Photographer: Vered Peer, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel
Protesting antisemitism, photo by Vered Peer, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel
Israelis demonstrating in front of the Italian Embassy in Tel Aviv in protest over ties with the PLO, photo by IPPA Staff, the Dan Hadani Collection, the Pritzker Family National Photography Collection, the National Library of Israel