The Archivists and the Forgotten Boxes: Rediscovering the Victims of the Sajmište Concentration Camp

The discovery of boxes of forgotten materials in the Historical Archives of Belgrade sparked the creation of a touching series of historical graphic novels on the Holocaust

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Illustration from the educational graphic novel “A Story About the Red Race Car,” copyright: Terraforming, author: Misko Stanisic, illustrator: Silva Vujovic

A few years ago, the archivists at the Historical Archives of Belgrade discovered 6 boxes among old unsorted piles hidden behind the shelves in a far dusty corner of the depot. When they removed the lock from the first box, they were suprised to find a 14-year old girl with big eyes staring back at them with a smile from a pile of old papers: “Hello, my name is Ester, and I’ve waited patiently for 70 years to tell you that once I used to be alive!”

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Illustration from the educational graphic novel “The Archivists And The Forgotten Boxes” copyright: Terraforming, author: Misko Stanisic, illustrator: Gabriel Kousbroek

When the archivists dug deeper in the box, they discovered that Ester had been a student at the First Belgrade Gymnasium. She had been popular, with many friends and a loving family. “We lived in the Dorćol neighborhood in Belgrade, and I used to dream about becoming an actress,” Ester told them.

All of a sudden, more voices began to emerge from the box, and then other boxes on the surrounding shelves began to chime in. Soon enough, the entire archive depot was filled with thousands of voices echoing throughout the storage chamber.

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Illustration from the educational graphic novel “The Archivists And The Forgotten Boxes” copyright: Terraforming, author: Misko Stanisic, illustrator: Gabriel Kousbroek

The boxes found in the Historical Archives of Belgrade revealed forgotten, unprocessed and unlisted documentation regarding the lives of several thousand Belgrade Jews from who were killed at the Old Fairground (Sajmište) concentration camp.

During WWII, in autumn and winter of 1941, the Old Fairground was where the Nazis and their allies brought Jews from all over occupied Serbia to be killed using an infamous gas-van known as  the “dušegupka.”

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“The gas van known as ‘dušegupka,’” illustration from the educational graphic novel “A Story About the Red Race Car,” copyright: Terraforming, author: Misko Stanisic, illustrator: Silva Vujovic

On May 29, 1942, Franz Rademacher, Chief of the Jewish Department in the German Ministry of Foreign Affairs in Berlin, stated that the “Jewish question in Serbia has been solved.”

What he meant was that almost all of the Jews in Serbia had been killed. From that day on, the Old Fairground remained a symbol of total destruction for the Jews of Serbia.

Inspired by the discovery of the boxes filled with forgotten documents, the archivists of the Historical Archives of Belgrade began a complex and long-term project – Much like detectives, the archivists worked to combine the newly discovered materials with other pre-war archives including school registers, membership lists of sport-club associations, employees lists, property registers, old photographs, letters and newspaper clippings…

Day after day, piece-by-piece, the archivists worked to put together their huge puzzle. Together with their colleagues and historians, they were determined to once again reveal a vision of pre-war Belgrade that could be shared with their Jewish neighbors, friends, and schoolmates. It was like traveleling back in time, a vivid and colorful picture was appearing in front of their eyes – and with that, Ester was reborn.

The “Ester” graphic novels respresent an extremely significant educational resource. They consist of a series of dramatized stories about the Jewish victims killed in the camp at Sajmište in Belgrade (Judenlager Semlin) at the beginning of 1942. The stories focus on young victims and their families, their pre-war life, the situation under the German occupation and during the Holocaust. They are based on true historical events and characters.

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“Departure to the Sajmiste concentration camp” illustration from the educational graphic novel “A Story About the Red Race Car” copyright: Terraforming, author: Misko Stanisic, illustrator: Silva Vujovic

“Ester” was produced by an international team consisting of historians, teachers, experts on Jewish culture and tradition and Holocaust survivors, as well as a group of illustrators from Serbia and the Netherlands who worked together on bringing the vision to life.

The Ester graphic novels were created as a reconstruction and dramatization of history, based on available fragments of personal stories. While keeping historical events and facts central to the stories, we put the main focus on the human aspects, feelings, and thoughts of the main characters, with the aim of engaging students on a different level, thus creating a creative and engaging tool for learning about the Holocaust.

A Story about the Red Race Car

The first story shared in this project is a dramatization of the Frelih family’s history in pre-war Belgrade, based on true events, real people, historical documentation and testimonies.

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“The Synagogue during the occupation”  illustration from the educational graphic novel “A Story About the Red Race Car,” copyright: Terraforming, author: Misko Stanisic, illustrator: Silva Vujovic

Aleksandar Frelih is an eleven-year-old Jewish boy from Belgrade. As we follow Aleksandar and his family through twelve illustrated scenes, we learn more about their life, the local Jewish culture and traditions, and about pre-war Belgrade and Serbia in general. When the war brought anti-Jewish measures, repression, and death, the Frelih family shared the same destiny as thousands of other Belgrade Jews. Above all else, “Story about the Red Race Car” is a human story about friendship in times of suffering, told from the perspective of a young Jewish boy.

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“The bombing of Belgrade,” illustration from the educational graphic novel “A Story About the Red Race Car,” copyright: Terraforming, author: Misko Stanisic, illustrator: Silva Vujovic

The Frelih family is registered in the Sajmiste database. Since there were no photos available that could help to visualize the story to the students, illustrations based on actual historical documentation were created instead.  The illustrations that accompany the story speak for themselves, telling the tale of a proud and rich Jewish culture in Belgrade, a happy young boy living his day to day life, and the untimely end that his family faced like so many others.

Besides this story, the educational material consists of two other stories, about the Demajo and Fisher families, both of which were destroyed in the Sajmiste concentration camp.

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“Parting with father” illustration from the educational graphic novel “A Story About the Red Race Car” copyright: Terraforming, author: Misko Stanisic, illustrator: Silva Vujovic

Project Background

The international project titled Escalating into Holocaust was organized by the Historical Archives of Belgrade, Terraforming – a non-governmental organization  from Sweden, the Center for Holocaust Research and Education based in Belgrade, the NIOD Institute for War, Holocaust and Genocide Studies based in the Netherlands and the University of Rijeka of Croatia. The project was implemented in 2016 and 2017 in Serbia, Sweden, and the Netherlands. The project was funded by the Education, Audiovisual and Culture Executive Agency (EACEA), as part of its Europe for Citizens, European Remembrance program.

The Historical Archives of Belgrade, as the leader of the project, created a database of victims killed in the Sajmiste camp and, for the first time, the names of victims of this camp were gathered in one place.

As part of the same project, the Terraforming organization developed teaching materials based on the stories of the victims killed in 1941 and 1942 in Sajmiste. While working on this material, “Ester” was born.

The development of Ester began in the framework of the “Escalating into Holocaust” project, with the support of the ODIHR project ”Words into Action to Combat Antisemitism.”

This post was written as part of Gesher L’Europa, the NLI’s initiative to connect with Europe and make our collections available to diverse audiences in Europe and beyond.

 

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The Oldest Ashkenazi Synagogue in London

The Oldest Ashkenazi Synagogue in London

The Sandys Row Synagogue has kept its doors open through two World Wars and remained active from its original consecration in 1870 until today.

sandys row

Sandy's Row, corner of Frying Pan Alley. Photo copyright of The Bishopsgate Institute Archives London

Today it is almost impossible to get any sense of a Jewish presence in the neighborhood of East London, but there were once nearly one hundred and fifty synagogues operating in the area. Now Sandys Row is the last functioning Ashkenazi synagogue in Spitalfields, an area of East London at the heart of the former Jewish East End. Dutch Jewish migrants, who began arriving in London from Amsterdam in the 1840s, established the synagogue in 1854. They were economic migrants seeking a better life, rather than refugees fleeing persecution like the thousands of Ashkenazi Jews who came after them in the 1880s from the Pale of Settlement.

This small, distinctive, tight-knit Dutch Jewish community of a few hundred people settled in the streets of Spitalfields. They had their own traditions and customs which were different from other Ashkenazi Jewish groups and continued to practice the trades they had brought with them from Holland. These trades were predominately cigar making, diamond cutting and polishing, and slipper and cap making. Many small workshops were established and businesses were passed down through generations.

“The Chuts,” as they were known locally, refused to join any of the larger existing synagogues. They wanted their own establishment and formed a “Chevra”; the Society for Comfort of the Mourners, Kindness, and Truth, which originally functioned as a burial and mutual aid society and later became a way of raising funds to purchase their own building. By 1867 the Society had amassed enough money to acquire the lease on a former Huguenot Chapel in Sandys Row, a small side street in Spitalfields near Liverpool Street Station and the City of London.

sandys row
Copyright of The Bishopsgate Institute Archives London

The community employed Nathan Solomon Joseph, one of the most famous synagogue architects of the time, to remodel the chapel. He kept many original features of the Georgian interior, including the roof and the balcony and added a new three-story extension onto the building, creating a vestry and accommodation for a rabbi and caretaker. He also designed a beautiful mahogany ark which can still be seen recessed into the eastern wall of the building framed by neo-classical columns. Since it was consecrated in 1870, with ‘an immense throng of Jewish working men assembled – with devotion, enthusiasm, and solemn demeanor – to join in dedicating the humble structure to the worship of God,’ Sandys Row Synagogue has never closed its doors, operating through both World Wars and into the twenty-first century.

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Sandys Row Synagogue. Photo copyright of Jonathan Juniper

Apart from some pine wood paneling which was added in the fifties along with some pine pews, the synagogue today looks much the same as it did when it opened in the nineteenth century. It was described in the Jewish press in 1870 as ‘a sacred place…simple, yet charming,’ a building that ‘invites the worshipper to religious meditation.’ The same holds true for the interior of Sandys Row today; it is an oasis of calm from the bustle of the city outside. The building still evokes the sense of awe and quiet meditation described by the journalist who witnessed the consecration ceremony nearly a hundred and fifty years ago.

Until recently, little has been known outside the congregation about this wonderful building and the Dutch Jewish community who established the synagogue. But during the past few years, I have been working with the synagogue as a historian and archivist to uncover more about the history and heritage of the building thanks to a grant from an anonymous benefactor.

Sandys row
The entrance to Sandys Row Synagogue. Photo copyright of Jonathan Juniper

The project began by collecting oral histories of past and present members of Sandys Row. We have recorded interviews with members in their homes across London, as well as locally with the few elderly Jewish people who remain in the area. They spoke of a neighborhood once bursting with life, filled with kosher butchers, bewigged women, friendly societies and Yiddish speaking traders. They told of a time when there was a synagogue or house of prayer on nearly every street in the area and the vicinity of Sandys Row was filled with Jewish shops, workshops and thousands of stalls from Petticoat Lane.

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The basement of Sandys Row Synagogue, photo by Morley Von Sternberg.

All of our interviewees had fond memories of Sandys Row Synagogue. Some, like Pamela Freedman and board member Rose Edmands, are directly related to the Dutch founding members.

‘It was a family shul, they used to call it the Dutch shul. All my late husband’s family were members. He was the president, his uncle was the president, I think the grandfather was president,’ said Pamela.

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Rose, whose original Dutch surname was Engelsman, said her entire family were members.

My great aunts used to sit in the front row and my mother’s generation sat in the row behind, and we kids sat in the back. And, now I sit in the front row – there’s nobody. So the reminder of time passing is very poignant there.’

The current president of Sandys Row, Harvey Rifkind, told me ‘during the fifties and sixties, the synagogue flourished. On Shabbat, there were one hundred to two hundred people there and on the high holy days, you could not get a seat. People literally sat on the floor in the aisles.’

Sandys Row
The Torah ark at the front of the synagogue. Photo copyright of Jonathan Juniper.

Today the synagogue is still functioning with afternoon services every weekday and weddings taking place regularly as a younger Jewish community has started to move back into the heavily regenerated tourist area of East London.

Alongside gathering the oral history recordings of people’s memories of the synagogue my role at Sandys Row has also involved depositing a great deal of handwritten records and other artifacts from the synagogue at the Bishopsgate Institute Archives in London.

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Sample of the materials preserved from Sandys Row Synagogue, 1919.

Over time, most of the synagogue’s records had been scattered around the building. Some were found in the safe in the vestry, but the majority were retrieved from the eighteenth-century basement which is practically unchanged from when the building was erected in 1766 as a Huguenot Chapel. The documents we found include nineteenth-century marriage certificates and an almost complete collection of handwritten minute books from the time the synagogue opened until the mid-twentieth century. This original material has now been safely deposited at the institute. Furthermore, we have spent many years digitizing the entire collection, which is available to view both online at www.ourhiddenhistories.com and has also been deposited at the Central Archives for the History of the Jewish People (CAHJP) at the National Library of Israel. Dr. Yochai Ben-Ghedalia, the director of the archives had this to say:

sandys row
This is the earliest minute book for Sandys Row Synagogue. The first minutes of a meeting to be written in English are dated Saturday 6th September 1873. The rest of the minute book is written in Dutch and appears to cover general synagogue business. The Central Archives for the History of the Jewish People. View the rest of the book here.

The CAHJP holds thousands of archives of Jewish communities, institutions, international organizations and prominent individuals from all over the globe. Despite the extensive coverage of communal collections, the CAHJP holdings do not include any full-scale archives of Ashkenazic congregations from London. Hence, the rich archive of the Sandys Row Synagogue, going back to the mid-19th Century, deposited at the CAHJP as a digital copy, is an important contribution, adding missing stones to the mosaic of Jewish history.

sandys row
This book holds a registry of 99 marriages containing biographical information regarding the bride and groom and the date of their marriage. This marriage register covers the period leading up to WWI. View the complete book here.

This post was written as part of Gesher L’Europa, the NLI’s initiative to connect with Europe and make our collections available to diverse audiences in Europe and beyond.

 

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The Eastern European Pinkas Kahal: Image and Reality

Through the pinkas of a given community, we can assess the life of the individual and the kahal in all its breadth and depth

Pinkassim

Examining the Frankfurt Pinkas in the National Library of Israel Rare Books Reading Room

The word pinkas means “notebook.” These notebooks were widely used in pre-modern Jewish society by both communal organizations and individuals.  Mohalim (Jews trained in the practice of Brit Milah) would keep pinkasim to note and track the circumcisions they had performed, businessmen kept pinkasim to note the various deals they made, students kept pinkasim into which they copied the texts they were studying, and mystics kept pinkasim in which they noted their sins (and sometimes their dreams, too).  Thus, the term pinkas was distinguished from the “Sefer” – book – in both its physical form and the way texts were entered into it.  The pinkas was a notebook, initially of blank pages, into which its owner penned various texts or entries that were of interest to him from time to time.

This format of record keeping was, of course, very useful for institutions, Jewish and non-Jewish alike, that wanted to keep a running record of their activity.  European Jewish society in the early modern age (about 1500-1800 C.E.) was a complex web of institutions – from the small, local guilds (“hevrot ba’alei melakhah”) to the great trans-regional councils such as the Lithuanian Jewish Council and, of course, the Polish “Council of Four Lands.”  Pinkasim or fragments of pinkasim from these different institutions have survived over time, giving the distinct impression that maintaining a pinkas was an integral part of early modern Jewish organizational life.

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The Frankfurt Pinkas, from the National Library of Israel. Click image to enlarge.

The Pinkas Hakahal – the record notebook of the community’s governing council – formed only one part of a complex of communal pinkasim. Community administration was made up of many other bodies each of which kept their own pinkas.  The gabbaim, the communal treasurers, would keep a pinkas, noting synagogue organization, particularly as it related to financial and charitable disbursements, as well as the different decisions they made to regulate their work.  The judges of the Beit Din, the rabbinic court, would a keep a pinkas to record the cases they heard, and the tax assessors would keep a record of the taxes assessed for and paid by each community member. The Kahal also kept a pinkas and as the community’s supreme governing body, its pinkas might be viewed as the most important. When brought together, these various record notebooks make up what we might call “pinkasei ha-kehillah” which provide a rich and multifaceted view of the broad sweep of Jewish communal life.

frankfurt pinkas
Dr. Yoel Finkelman, curator of the Judaica Collection at the National Library, examines the Frankfurt Pinkas.

Grasping how the pinkas functioned, and understanding its role in the life of both the community council and the community as a whole is no easy task. As Prof. Israel Bartal of the Hebrew University has shown, there are many layers of misconceptions about the early modern pinkas kahal which developed in the various cultural and political milieu of eastern European Jews in the nineteenth and twentieth centuries, but were picked up and repeated, often uncritically, by future generations of scholars.  The maskilim of the nineteenth century adopted a view of the community pinkas as somehow embodying the entire history of the early modern Jewish community – an institution and a history they despised. In his satirical novel, “Kvurat Hamur – An Ass’s Burial,” Peretz Smolenskin was scathing:

A pinkas can be found in every town where Jews live, and in it, they and everything that happened in the town will be written as an everlasting memory.  There is mention of girls who lost their virginity by accident and through rape, of denouncers and those who caused Jews to lose money to non-Jews, of those who rebelled against communal authority and those who ate non-kosher meat, of those who stole the silver from synagogues and those who carried a kerchief on the Sabbath.  [It tells of] the house that was destroyed by demons and ghosts, and of sinners whose sins or mockery of the burial society caused the outbreak of plague.  In this text will be inscribed all those who transgressed the law of Israel and in their death will they pay for their sins, for they will be given an ass’s burial.

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A page from the Zülz Pinkas, dated 1796 to 1805, from the Central Archives for the History of the Jewish People. Click image to enlarge.

In the twentieth century, Jewish nationalists of many different stripes took an equally romantic, but highly positive, view of the pinkas. Many of them viewed it as the ultimate expression of the Jews’ autonomous bodies of the early modern period, bodies the nationalists saw as foreshadowing the development of the Jewish national institutions they wanted to develop.   Others took it as somehow embodying the spirit of the nation.  Avraham Rechtman, who participated in An-Ski’s great ethnographic expedition of 1912, expressed this in lyrical terms:

The pinkas is the mirror of the people’s life (folks leben) in past generations.  The pinkas reflects the people’s feelings, its joys and its sadness, how it expressed its concerns and what made up its demands.  Through the pinkas we can assess the life of the individual and the kahal in all its breadth and all its depth.  We can learn from them about the way of life as it was, as well as relations within society, between one society and another, between one community and another, and also of the Jews’ attitude towards the outside, non-Jewish world which surrounded them.

What was common to both, of course, was a highly romanticized view of the pinkas as embodying the history and spirit of the Jews as a whole, though the values they imparted to it were quite different.

In the face of this product of the overheated Jewish imagination, it is probably worth engaging in a more sober discussion of the pinkas kahal.  Unfortunately, despite the deepest desires of both maskilim and Jewish nationalists, the pinkas was not a kind of “communal memory.”  The vast majority of entries dealt with highly technical matters, such as taxation and other economic issues that fell into the purview of the kahal. Major events in the community’s life were recorded only in so far as the kahal had to make decisions or regulations to deal with them.

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Pages 101- 102 of the Halberstadt Community Pinkas, dated 1773-1808, from the Manuscript Department of the National Library of Israel. Click to enlarge the image.

In addition, the pinkas was not available to the community but was zealously guarded by the members of the Kahal.  The Krakow community constitution of 1595 specified that the pinkas hakahal should be in the hands of the two community scribes (called at that time, “edim demata”) and locked away in a box that only they could open.

In truth, the pinkas kahal in the Polish-Lithuanian Commonwealth was very much a technical document.  Only matters dealt with by the kahal were included in it.  These could, of course, be of enormous significance for running the community though not in the romantic idealist way previously envisioned.

Crucial topics such as the question of population control through the granting or retraction of residence rights (“hezkat hayishuv”) were included in a pinkas. This was sometimes connected with regulations concerning dowries since only those wealthy enough to pay handsome dowries would be able to settle their children in the community.   The management of the annual elections to the kahal was another issue that would be included.  Other issues dealt with by the pinkasim include the management of communal charity (most often done by means of regulations concerning the gabbaim), the employment of community officials (cantors, slaughterers, doctors, midwives, teachers, etc.), most particularly the rabbi, and relations with the non-Jewish authorities.

Though the Pinkas Hakahal does not provide a window into the Jewish soul, for the good or the bad, it does shed a great deal of light on how Jews organized their communities and ran their lives hundreds of years ago.

The National Library of Israel, together with the Central Archives for the History of the Jewish People in Jerusalem, holds the largest collection of pinkasim in the world. Through international academic co-operation, the Pinkasim Collection aims at locating, cataloging, and digitizing all surviving record books, making them freely available. At the first stage of the project, the focus is on pinkasei kahal, the pinkasim of the central governing body of Jewish communities. On June 20th, the National Library hosted an event marking the launch of the Pinkasim Collection, which featuring experts from around the world.

 

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Coffee Houses Open on Shabbat… With Rabbinic Approval

Records from 18th century Prague show that the opening of Jewish coffee houses on Shabbat enjoyed the approval of the city’s rabbinic leadership.

A Game of Draughts at Cafe Lamblin by Louis Leopold Boilly

A Game of Draughts at Cafe Lamblin by Louis Leopold Boilly

In the middle of the eighteenth century, religious life in the Jewish community of Prague was at its high point, with nine well-known synagogues and dozens of study houses. But at the same time that the learned men of Prague were producing vast Torah scholarship and the yeshivas were bustling with students, another institution was gaining popularity – the coffee house. Coffee houses became popular soon after coffee’s arrival in Western Europe, and often offered more than just a drink; they were a place to spend leisure time playing games and discussing current events with friends and strangers. Rabbinic sermons and writings from this period warn of the spiritual threat posed by the coffee house.  These establishments’ diverse environment and leisure culture competed with the traditional Jewish lifestyle of worship and study.

In spite of this potential culture clash, the records from that time period in the Pinkas Beit Din – the minute book of the rabbinic court of Prague – show that the opening of Jewish coffee houses on weekdays and, shockingly to modern ears, even on Shabbat, enjoyed the approval of the city’s rabbinic leadership, along with careful, detailed rabbinic-halachic regulation.

The Pinkas (minute book) of the Rabbinic Court of the Holy Congregation of Prague, currently preserved in the Jewish Museum of Prague, is a hand written book which, records the decisions of the rabbinic court, one of the most important governing bodies of the Prague Jewish community. This pinkas, written in a mix of Hebrew and Yiddish, begins in 1755 and survived the Holocaust even as the community it records was wiped out, provides important testimony to Jewish daily life in Europe.

A pinkas from 18th century Prague, the National Library collections
A pinkas from Halberstadt, the National Library collections. Click to enlarge.

In the Prague Pinkas Beit Din, the numbers alone – seven discussions about coffee houses within fifteen years – tell us how pressing and how complex this issue was. The entries show a swift progression, from disapproval and severe limitations to support with minimal caveats. Evidently community members had embraced coffee-house culture and were not about to give it up. The pinkas entries also show the style of religious leadership adopted by the rabbinic courts of Prague in this case: instead of opposing a cultural trend that threatened traditional life, the rabbis accepted the new trend, which gave them the opportunity to regulate and contain its impact, and to integrate the new institution into the traditional mode of Jewish life.

One of the first discussions in the pinkas, from around 1757, begins by taking a hard line – Ideally the coffee houses in the Jewish ghetto should be closed, and people should instead dedicate their time to Torah study. Since that is impossible, they should open only for an hour in the morning, after morning services at synagogue, and then for an hour following afternoon services. Women should never enter coffee houses. With regard to Shabbat, “no man should dare to go to the coffee house and drink coffee there on the holy Sabbath. This is punishable with a large fine!

This discussion is followed by another paragraph, presumably added days or weeks later:

However, due to the travails of war (presumably the siege of Prague in the spring of 1757, part of the Seven Years War) and other concerns, many have protested that we cannot be so stringent on this matter… the way to distance from sin will be that on the holy Sabbath, no one should go to the coffee houses to drink coffee, but anyone who wishes to drink should bring it to his home. And on weekdays, any time they are praying in the Old New Synagogue (Altneuschul), no man should dare go drink in the coffee house.

The added paragraph shifts the balance significantly, permitting Jews to frequent coffee houses at all times except during prayers; allowances are made for procuring coffee on Shabbat as well. Apparently the Jewish coffee sellers had an arrangement in which customers paid before or after Shabbat, and they could prepare the coffee without violating Shabbat laws about cooking, perhaps with the help of non-Jewish workers. The main concern is the propriety of spending time in the coffee house on Shabbat, so getting the coffee as takeout is a suitable compromise, but not one that lasted long.

The famous bridges over the River Vltava, Prague.
The famous bridges over the River Vltava, Prague.

The next two entries on this topic in the pinkas, dated 1758 and 1761, are each signed by eight Jewish coffee house owners. One declares that coffee will be sold only until noon on Shabbat, and one states that coffee will be sold without milk on Shabbat, presumably in order to avoid serving dairy to customers who had just eaten a meat meal.

A fourth entry, dated 1764, declares:

From this day onwards, on Shabbat and holidays, women are not to enter coffee houses to drink coffee at all. And even on weekdays, from 6 PM onwards, no woman or women should be found in the coffee house…

These entries assume that, despite earlier restrictions, women are indeed entering coffee houses. Moreover, coffee houses are not only providing coffee for takeout on Shabbat, customers are sitting and drinking coffee there, and the rabbinic court is only trying to limit that clientele to men.

A fifth entry, dates 1774, states:

The owners of the coffee houses stood before the rabbi and the rabbinic court, who warned them that they should be careful to avoid selling coffee on Shabbat and holidays to non-Jews, as the prohibition of commerce on the Sabbath applies. They are permitted to sell only to Jews, for the sake of Oneg Shabbat, delighting in the Sabbath day, since not everyone is able to prepare coffee for himself on Shabbat at home.

A pinkas from 18th century Prague, the National Library collections. Click to enlarge.
A pinkas from Zülz, the National Library collections. Click to enlarge.

To the rabbis of eighteenth century Prague, the coffee house’s ambiance of levity and cultural exchange competed with the traditional understanding of the proper Shabbat atmosphere. The rabbinic court therefore made efforts to restrict Jewish coffee houses’ activity on Shabbat, with limited success. But in their final entry on this topic, the Prague Beit Din provided the coffee houses with a religious stamp of approval, pointing out that Jews attending coffee houses on Shabbat was in fact a fulfillment of the religious injunction to delight in the Sabbath day. The rising cultural significance of coffee in European regions, since its import a few decades ago, is now reflected in the the pinkas; the new product is incorporated into halachic language, labeled, for the first time, as “Oneg Shabbat” – a positive value which should be carefully considered.  The coffee house and the synagogue need not always be rivals: within certain parameters, both could be part of a meaningful and enjoyable Sabbath day in Prague.

The National Library of Israel, together with the Central Archives for the History of the Jewish People in Jerusalem, holds the largest collection of pinkasim in the world. Through international academic co-operation, the Pinkasim Collection aims at locating, cataloguing, and digitizing all surviving record books, making them freely available. At the first stage of the project, the focus is on pinkasei kahal, the pinkasim of the central governing body of Jewish communities. On June 20th, the National Library will host an event marking the launch of the Pinkasim Collection, which will feature experts from around the world, and will include a lecture by Maoz Kahana about coffee houses in Prague.

You can read more on this subject in the article by Dr. Maoz Kahana, ‘The Shabbes Coffeehouse – on the emergence of the Jewish Coffeehouse in eighteenth-century Prague’, Zion 78,1 (2013), pp. 5-50 , which you can find here.

 

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